come to naught
Sep. 16th, 2014 08:26 amWell, at least that production of Macbeth was ticking all the boxes of my bad production bingo: bare black stage, a wooden chair, a fall of glitter. Check, check and check.
What a pity, and Hugo Weaving was so good, damn good, a magnificent Macbeth, full of sound and fury. If only we could have seen his Macbeth in a more tradtional production, and, hell, a traditional staging really would be radical in this town.
I can see now why our best actors go overseas. They have to. This was...woesome. It was like watching Gandalf bestride Ramsay Street, with glitter. (Yes, I know he played Elrond, but you get the idea, he was playing it big, the others, not so much).
Let down by the production. The whole putting the audience on the stage in the world's most awful plastic chairs just made us gaze yearningly at the comfy chairs that now formed the backdrop. The whole thing was a gimmick, and I've seen it done much better, at Traflagar's Macbeth, fer starters.
( more: and then it got worse )
What a pity, and Hugo Weaving was so good, damn good, a magnificent Macbeth, full of sound and fury. If only we could have seen his Macbeth in a more tradtional production, and, hell, a traditional staging really would be radical in this town.
I can see now why our best actors go overseas. They have to. This was...woesome. It was like watching Gandalf bestride Ramsay Street, with glitter. (Yes, I know he played Elrond, but you get the idea, he was playing it big, the others, not so much).
Let down by the production. The whole putting the audience on the stage in the world's most awful plastic chairs just made us gaze yearningly at the comfy chairs that now formed the backdrop. The whole thing was a gimmick, and I've seen it done much better, at Traflagar's Macbeth, fer starters.
( more: and then it got worse )