mockturle06: (Sherlock)

I should have waited before posting yesterday, but I will post my rebuttal to myself here.

I’m still annoyed that I found Wonder Woman such a less than transformative cinema experience, as everyone else seems to be leaving the cinema reeling in a religious fervour.

Maybe I’ve seen too many WWI films? I saw my first at a very impressionable age, and after that, well, you know (The Trench, A Bear Named Winnie, Beneath Hill 60, War Horse, Anzacs, Birdsong, Gallipoli, Parade's End, Wings, Reilly, Ace of Spies, The Young Indiana Jones Chronicles, Deadline Gallipoli, Downton Abbey, 1915 – and that’s not even counting the shows that reference it, like Peaky Blinders, Boardwalk Empire and Doctor Who). I may be over-familiar with the genre. I may have seen it done better, more emotionally involving, bleaker, more pointlessly heroic and self-sacrificing, more heartbreaking, elsewhere.

But I still find the structure difficult, too hasty an edit for my taste – perhaps too used to the return to luxurious tv series that once again take the time to indulge in long tracking shots and leisurely getting from point to point. The jump cut from location to location, now she’s on a train, a boat, a horse, on foot – it made me think there should be Angie Tribeca style credits over the top of every scene change.

I mean, come on, it was a bit ridiculous. Assuming, from dear Steve’s intel, that Themyscira is within Fokker distance just off The Dardanelles, then there’s no way, even in a superhero film, that the journey from somewhere off the coast of Turkey to right up the Thames can be covered in the space of one night, by sail. I mean, come on. Please, if you’re doing a film with supernatural elements, you’ve got to keep it real to sell it. And keeping it real means no EasyJet in 1918 (and even then…).

I’m sorry, it annoys me and throws me out of the movie. Ditto Steve’s I don’t have bucks to buy my mates beer but I can afford to buy my new honey a wardrobe? Priorities, I guess.  And, also, the whole ‘I can’t move in these clothes’ bit? Fuck that. Go watch some film of real Edwardian ladies running across roads and leaping onto trams. They were pretty damn nimble (and I assume, like women through the ages, they compensated for corsets and learnt to do everything they had to do in them).

And Dr Maru? Never did learn what her deal was, aside from job description: mad scientist. And I will harp on about the scars = evil, because, man, back in the day, there was a lot of criticism about Goldeneye being so lazy as to depict Alec’s wickedness with some dribbled wax on Sean Bean’s lovely face as a means of obvious signalling, and there were whole essays on the ye olde trope of using deformity as an outward indicator of inner unwellness, and how this was problematic from a discriminatory point of view (not every ugly person enjoys murder), but also, just really lazy and old. And this, dear reader, was in 1996. So no pass there.

But, still. Maybe I’m just old and bitter. Maybe if I’d been allowed to keep my Wonder Woman dolly as a child I wouldn’t be so twisted up now. Maybe I just wanted more WWI, less cgi smackdown.

That said, Pine was mighty fine. He did everything that was asked of him; brave, funny, flirty, chivalrous, a little bit damaged, heroic, self-sacrificing. The perfect WWI bronze, come albeit briefly, to life (almost, to my eyes, as much as immortal as Diana, in his doomed hero way, but I think you have to have grown up with Anzac Day and associated art to get that interpretation).

Maybe I’ll go see it just one more time. Just to make absolutely sure I don’t like it.

I dunno, I’m just out of step with everyone. Unlike the rest of the universe, I really loved Chris in Beyond. His Existential Crisis Kirk, really spoke to me, but maybe that’s just me.

Maybe I’m just sad, in all senses of the word. Right now my own discovery is just how seriously everyone hates me. Not just thinking it, but actual proof, in word and deed.

Aside from the ice pick vicious emails and public humiliations at work, there was the bus stop thing. Now I always make a point of holding the bus if I see someone coming, and if the bus driver doesn’t seem like the compassionate type, I’ll stand against the door so it can’t close while I fish for the pass I’ve just misplaced (the bus can’t move with the door open, it’s a thing that’s annoying if the door gets jammed).

But when I’m running for the bus? It was the day after my very miserable day so I was five minutes late because I didn’t want to get out of bed, ever, but the bus was ten minutes early. They saw me, the people at the stop, their faces turned towards me as I ran up the side of the bus. Everyone saw me, but the driver shut the doors in my face and took off. Nobody cared enough to hold the bus for two more seconds.

Then there was being actually hit by a car, on purpose, while walking home from seeing Twelfth Night. I was walking down the lane, which is a dunny lane, a nightsoil truck access lane, because my suburb didn’t get sewerage until the late 70s, and these days it’s used for parking cars and a short-cut to the shops. It is not a proper road to scream down in a hoon-mobile.

Anyways, I was walking past some parked and parking cars when this car comes roaring down, and there’s no room, so he’s supposed to wait until I clear the cars because there’s nowhere for me to go (it’s a very narrow back alley). But no, he just runs forward, slams right into me with two very loud thumps and sends me spinning into the fence and speeds off, just taillights while I peel myself off the fence palings (I did report it to the police but they couldn’t care less, I don’t matter).

So now I’ve got a really bad shoulder from where he side-swiped me. And, weirdly, my concussion headache is back (maybe because now I’m sleeping on my bad side because both sides are now bad, maybe I ought to try sleeping hanging from the ceiling).

So, yeah, aside from being in pain ever since, it’s nice to know people hate me so much they want to run me down. And leave me stranded in the dark and the rain. And get me sacked. Yeah, everything is just peachy.

Never mind the house leaking buckets (not the old leaks, these were new leaks in new places, joy) and me not keeping up with the housework because I’m really not well. Being hit by a 4WD, twice, will do that to you (age might weary her, but 4WDs certainly will).

On the plus side, I did get home in time to see Fargo and Young Pope. (But aren’t they on really late? Yes, they are, but 14 hour days with no OT pay and meeting deadlines with most of the systems down doesn’t mean a jot as far as my failings go these days).

Those boys, my boys, still manage to surprise me, move me, delight me, worry me, intrigue me and entertain me with their gurning and cavorting on screen. At least I’m loyal (well, for me, anyway). Let’s not think how long I’ve been a fan of Ewan and Jude. It’s pleasing that they’re still turning in top notch performances, and, as seems hardly surprising, they’re on tv. I’ve always preferred Ewan’s tv work; his performance in Dennis Potter’s Lipstick on Your Collar remains a highlight.  

Yup, tv is where it’s at these days, and I don’t mind a bit. Give me character and characters. Give me lush locations. Give me backstory, motivation, goals and desires. Give me a journey. Give me people to know and care about, even if they’re dicks (aren’t we all?).

And for pity’s sake, give a world I can live in (because I don’t like this one very much).

Oh, don’t go on about resilience – that’s crap. Why should I have to be resilient about being run down or being bullied at work? That’s hardly my issue. Maybe, probably, I did something to deserve it, but sometimes people are just mean.

And mindfulness? That’s for nice folks with nice lives. Trust me, you don’t want to be in the moment in my bus, overcrowded, stuck in traffic, crawling home with a screaming baby somewhere and a guy digging snot out of his nose and wiping it on his jeans sitting next to you. You don’t want to be in the moment on a 35 hour flight in economy. You don’t want to be in the moment at the Birmingham bus interchange, in February, for four hours, because you missed your connection, the toilet is 75p and you can’t fit your bag through the turnstile. You don’t want to be in the moment listening to the neighbours hammer whatever they’re hammering this time. You don’t want to be in the moment, standing the rain, not sure if it’s rainwater or blood running down your arm, barely able to see headlights from the concussion, waiting over an hour for a bus to take you home after you’ve been hit by a car. You don’t want to be in the moment sitting in the dark and rain in the middle of winter, waiting for the last bus home, outside a hospital, cold and hungry and all lone. You don’t want to be in the moment when there’s nothing to eat but stale bread. Or the pain from endometriosis is in its tenth hour and you can’t stop throwing up. Or you’re being made an example of in front of everyone. Or you’re being beaten up (or worse). Or you’re waiting for food that will never come in a restaurant. Or being stuck down in a basement with nothing but files. Or scrubbing out the bathroom. Or ironing.

So yes. Give me good telly, or a good book (I’m reading a Rebus on the side, because I find it comforting and fun). Just give me a break.

mockturle06: (Avengers)

Well, my ovaries have good and proper exploded. It was the full Edwardian drag what done it, which I have a decided thing for, and then, yikes, the floppy blonde hair. I was gone. Gone.

I blame it on far too much Merchant Ivory at a tender age. Yes I do (and as if it wasn’t bad enough, the Guardian decided to get all retrospective over Merchant Ivory and their floppy-haired Edwardian chaps).

But, you know, lawks. If I’m like this now with just the pre-publicity, what am I going to be like when I see the damn film. Well, the complete lack of ANZACs should keep me suitably thin-lipped and dry of eye and dry of seat. So far it looks like the only Australian referenced in the whole damn enterprise is Frank Hurley and his WWI photos.  Like really referenced, like rip-off, like they better hope they’re out of copyright.

But anyway, short story: too much drooling over the Pine and boom, my second period in two weeks, because one wasn’t enough? I thought going crone meant less, not more. I’m gonna be a hollowed out husk at the end of it.

So, aside from the full Edwardian (swoon), there were repeats of Beyond and a brief appearance in Angie Tribeca (père et fils, actually, and my second Pine Snr sighting that week – I really need to get out more).

But that wasn’t my only Chris, oh no. I cheated and saw Guardians of the Galaxy. One of those other Chrises.

Meant to go last week but I had the dreaded lurgy, but I crawled off to see it on the weekend, dosed to the gills on borrowed Codral (I haven’t had it in years, so I’m still coming down). So, maybe it’s the Codral talking, that is, critical faculties not at full strength, but I kinda loved it.

Okay, yes, another decided entry in the sad man-child with massive daddy issues genre (the bit where he played catch with his dad was cringe-inducing) but hey, if films are still being made by a generation with abandonment issues, at least it had something to say about love and friendship and bonds that are stronger than blood (especially as blood kin are always proving perilously duplicitous – see also Lucifer). I do wonder what films from the helicopter parent generation are going to be like. More stifling, less hanging the kids out to dry, I suspect.

I could be crueller, but having been ‘raised’ by biological units with less instincts than reptiles or rocks, or, as Victor Hugo so accurately put it, she was a mother only by accident of biology, I kind of get where they were coming from (alas my surrogate mum met the end I might have wished on others) re the absent and abusive parentals.

But it was funny, the soundtrack rocked, the aesthetics were on point (especially the end credits) and Baby Groot stole the movie (should the flesh and blood actors be worried)?

What I really loved was that the big space battles were not endless, mindless minutes of stuff being mashed, but happening hilariously off-screen, in the background, and/or in between bickering. You know, back to being a means to an end, part of the narrative, not an entire reel of mind-numbing first-person player, for which I care not. That was clever and funny, and, gosh darn it, fresh and funny. More, please.

Finally, a film that was more about characters than explosions. Well done. More like this please.

I’ve also had the good fortune, via an email and a $20 ticket, to see and hear Ian Rankin read from A Clockwork Orange, talk about his early influences, being very funny, and then, then I got my book signed. Squee!

If that wasn’t enough, I managed to go to the talk, get my book, line up, get my book signed, get my big work bag back, walk blocks to bus stop, get on a bus and get home only 40 minutes after Himself who left the city over three hours before me. No, no wormholes or time-travel, it’s just that after 7-8pm the roads finally clear and zoom!

I was actually very thrilled to the point of, my colleagues accused me of, blushing, as I’d intended to see a talk by Mr Rankin in the UK, but that fell through, of course, so to see him out here for the Writers’ Festival, well, wishes do come true (yep, wish for Ian Rankin granted, others, not so much, but the universe knows which would cheer me up most).

It was also a good, if brief night, because I ended up sitting next to this retired lady (never did ask her name, I’m shocking) both in the foyer and in the auditorium (and my seat bought on spec was bloody marvellous) and we were chatting and she asked me what I did and declared it ‘useful’. Ah, some much needed validation at last.

The other talks were interesting (I have whole new uses for ‘oscillating’) and I thoroughly enjoyed it.

So, there I was, drinking French wine, listening to great authors, while Himself was strap-hanging on a dangerously over-crowded bus for hours. Ooops. Needless to say, tea wasn’t that much further on from having a tin of beans lobbed at my head. Ah well, seeing Ian was the only good thing this week.

Badness was waking up to being violently unwell, during a violent thunderstorm, and reading Roger Moore had died. My Saint, my Maverick, my Persuader, my Bond. My hero. I’ve adored Roger Moore since I was a child. I snuck in the theatre to see Moonraker (I never sneak).

I was, quite simply, besotted with the man. And, to my great relief, he seemed so sweet and wickedly funny on Twitter (his quiet on Twitter had me worried, I wasn’t wrong to worry). To my further relief, most media reports have been tributes, relating fan love for the man, his good deeds and cheeky wit, and his fine turn as a knitwear model. Really, I couldn’t ask for anything else. Vale Roger, my beloved TV idol.

I’m so very, constantly on the verge of tears sad, but also still full of my love for that man. Last night they played Live and Let Die on telly. Roger Moore, immortal, forever dashing.

I think I was oddly happy, too, to discover so many I follow on social media were massive Persuaders fans (points awarded). I loved that showed. And I adored Maverick. But my favourite would have to be The Saint. I don’t know why, but that suave crime-fighting (later, in the silly 60s, giant monster ant fighting) international man of mystery really took my breath away.

Depending on what age I was at the time of viewing, it was either about the clothes and the cars, the grittier black and white episodes where he was more anti-hero with a conscience, more of a crook than a playboy with a heart of gold, or it was the wacky full colour mid-sixties episodes where the previous too cool Simon Templar became a cardigan wearing grump complaining about pop music and teenagers. And I still loved him. There’s a Saint episode for every occasion, if you want black and white noir and Soho nightclubs, go early. If you want giant ants roaming the Welsh hillsides or brainwashed teenagers, go late. I loved that show. I loved Roger.

The Persuaders, well that just seems just get camper with every viewing. I don’t know what they were thinking, but the series is thoroughly enjoyable. Seriously, some episodes feel like Roger and Tony have taken some time out from their holiday to stumble in front of a camera, but the results are joyous.

Maverick I came to late, only having seen the show when Fox Classics played it a few years back now, but I was hooked. Some of the greatest episodes ever committed to film are contained within Maverick, in my opinion. Sadly not many of them were Roger’s, but he had a few crackers, and I still want to know what he did to get a fire hose in the face in one episode because he breaks character and it’s so obviously unscripted but delightfully silly.

Bond, well, technically he was my Bond, but my Dad always preferred Connery (even if he was a lowlander), but Live and Let Die and the Man With The Golden Gun, total faves. I never did get that Saint film I wanted, but as far as I was concerned, the Bond films were near enough.

Oh man, it was such a joy to watch him last night. At least he’s not gone, gone. He’s still there, taking up shelves of my bookcases (dvds,  memorabilia). He’s there, on my playlists. Immortal. Beloved.

But it hurt. And he is gone. No more zingers on Twitter – damn, I’ll miss that. It made me love him so much more, as if that were possible.

Ah, why must you make me live in a world without heroes.

White rice

May. 17th, 2017 07:58 am
mockturle06: (Chris)

I must have looked at my calendar and thought, yay, two weeks without any engagements. I know, I’ll be sick!

At least, that’s what it feels like. I think it’s just a lurgy I picked up in Melbourne, but as I’ve not had a proper, decent make me feel entirely wretched cold for a couple of years now (that dose of flu/whooping cough/tonsillitis that damn nearly killed me several years ago gifted me with an immunity to everything, until now) so I’m taking it like a grizzling toddler/adult male.

Still, it’s been an excuse to stay close to the telly. Oh yes, Pine. But first, I did see a play last week.

STC’s Talk, at the Opera House, was very funny, oddly timely and a bit old hat (it’s been in production for years), somewhat farcical about serious matters (but so was MASH). It wasn’t quite what I thought it was going to be, more an essay on modern media in general, rather than an examination of a shock jock.

It was oddly visceral in charting the decline of the traditional media structure, and I saw it days before Mark Colvin died, but after the Sydney Morning Herald sackings. Oddly, the original number of sacked journos in the play was 50, but, as discussed in the Q&A after the show, they knocked it down to 25, which they still thought high. Turns out 115 was the number. So that was shockingly relevant.

What was quaint was shifting the blame for all this onto feckless Millennial bloggers, rather than the entirely more sinister psyops strategy we know it is now.

Reading that Guardian article reminded me of the tactics described by Fleming, yes, Fleming, in From Russia With Love, and I’m not sure whether Fleming was describing Russian psyops or inventing them, but either way, the blueprint is there. Ditto some of the early Le Carres, should you require corroboration, and if you still don’t believe this stuff can happen, go read Philby’s piece, which can be summed up as a smug ‘too easy’. Or read today’s headlines. Whichever.

But I digress. Basically, I was there to see John Waters on stage (because I still have a thing for Sergeant McKellar, for shame), and anything written by Jonathan Biggins is likely to be very witty, local and topical, and it was. Even the sets were a hoot, with the stark (and entirely accurate) contrast between the ABC and Newscorp press rooms. It was a bit slapstick, more than a bit (too much Revue creeping in), but it certainly hit the mark about the message, even if it did hammer it home with all the subtlety of a shock jock.

So that’s me, supporting the yartz, local thespians and new works. Job done and it wasn’t that painful (see, new works don’t have to be distressingly awful).

So, the Pine. Basically, the screening, at last, a week later, of a very cut down version of his SNL episode, featuring only three skits that had Mr Pine in them (and no music, no monologue, no dance off, but luckily I have friends). Um, what to say? Well, the kid can sing, and sing he did, but I was hoping for more funny, but I guess the called off at the last-minute writer’s strike might have played into that a bit? Maybe? Or did Chris just want to sing his little heart out, bless. (Had I seen the monologue I could have comments about TPTB fascination with white guys called Chris, but I didn’t, so I don’t).

Either way, what I saw wasn’t that funny, but maybe I was annoyed at knowing, from Tumblr, that I was missing out on huge, huge chunks of the show, and 6am is never my optimum viewing time (who am I kidding, I was missing the Thunderbirds) but hey, at least it was Chris on telly. Foxtel also slapped on Star Trek, Star Trek: Beyond and Finest Hours for my viewing pleasure. I was going to hit the tottering pile of dvds, but the cold was running riot by then, and I was too grumpy and wheezy for anything, really.

What I did watch, while sulking, was this woeful piece of MST3K bait called The Five Golden Dragons, a British-German coproduction from 1967 (oh yeah, baby) and set in oh so British Hong Kong, with Christopher Lee slumming it as one of the, well, it’s hardly a spoiler now, is it, bad guys. Oh, it was so awful, despite my existential misery I was screeching with laughter. Especially the tight close-up reaction shot from the really bad dragon mask. Oh my, yes. What a…gem.

This is what Chris should have done on SNL. If he wants to play a spy, play a 1967 playboy one with hokey exoticism and lashings of camp (oh, this film is so…well, you’ll see, in a subtext rapidly becoming text kinda way). (I swear I could have written funnier sketches, I can be funny, why, just yesterday I was asking why these birds were called oystercatchers, as it didn’t seem to me that oysters needed that much catching).

Anyways, since I discovered cheap chop-socky can make me smile, I decided it was time to dive into the limp noodle fest that is Iron Fist, with Daisy no less as an ineffectual simpering villain (so far at least, I’ve got four or five episodes to go). Because I always wallow in the MCU when I’m poorly. It’s tradition.

Iron Fist isn’t at all great, but it’s not as bad as the reviews said, and the whole white-washing/white saviour thing was kind of inherent/inherited in the text, so it’s unfortunate, and TPTB could have done more to address the post-colonial elephant in the room, but they didn’t, and suffered a critical panning as they probably deserved, but it could have been worse (see The Five Golden Dragons).

Actually, Iron Fist could have done with a lot more camp and really silly dragon masks. You know, play up, not play down the woeful historical baggage that drags on it like a boat anchor. That and the most underwhelming, whiny white man-baby rich bitch protagonist, but I guess that’s very now (at least he's not called Chris).

Basically, I didn’t mind it, it’ll do while I’m unwell and grumpy, but it could do with an infusion of Fu Manchu. Go completely Danger 5, go Monkey, go The Samurai. Ah, I guess I grew up with this stuff more than the American white boys making Iron Fist. Would it kill them to give me some Big Trouble in Little China? That should have been their reference. Can I at least have a mesmerist and a giant rat?

I’d ask that TPTB could, for once, not make it all about some rich white princeling with daddy issues, but again, very now. Destiny and daddy issues. Seriously, can somebody put these tropes to bed? Tuck them in with a story and some warm milk?

In other news. the shirt I’m wearing today, while vaguely a Margaret Preston-y print, is fashionably rumpled, because I so didn’t do any ironing on the weekend (see grumpy, sulking, above).

Besides, I can’t iron and hold my phone up at the same time, which the only device that will stream anything right now. My laptop crashes even on iView, and my poor tablet can’t even open up Tumblr with any success. Ah, to be stranded in the country with the 51st slowest internet speeds in the world (NYT). Yes, people in countries where the main form of transport is a goat have a better chance of viewing YouTube trailers than me. Not that I’m bitter or fed up or anything.

In case you were wondering why I still rely on cable and dvd for my viewing choices. Besides, occasionally they cough up charming surprises like The Five Golden Dragons. I should have never have sought out a classic like that on my own (because I have some shred of sanity left). But I was sick, it was on telly. Bliss. Doing it old school.

And yes, it was a dreadfully sexist, racist film but it was 1967 and a British/German production so it is what it is, I was just there for the cringing silly. And besides, like campy fat old white guys with criminal connections really rule the world…that would be silly.

But yes, I realise it’s all a bit wrong, but one can no more argue that it’s not very nice to be racist and sexist with white dudes from 1967 than one can with conservatives today. I wonder what the world would be like if sad old fat ugly nasty petty rich white dudes didn’t put everyone else down.

Ah well, it’s the world I live in. It kinda sucks. But I have (Pine enabling and Olympus de-yellowing) friends, and most folks at work aren’t dicks. So there’s that. I could do without this cold though. Who needs to feel more miserable?

Items of interest: https://plus.google.com/u/0/113197665355692280218/posts

mockturle06: (Chris)

For a very brief window, due to a random rearrangement of desks, I am working with folks who can sing the Jetsons’ theme song, quote Are You Being Served and The HitchHiker’s Guide to the Galaxy, appreciate Tom Hiddleston and know the difference between Godzilla and a dinosaur.

Sweet. Do you have any idea what a joy and relief it is to have someone not only get your jokes, but sling it back? To get your pop culture references instead of thinking you’re just making weird random outbursts because you’re mentally ill (well, probably, but also quoting Hanna Barbera).

Or maybe it’s just the leftover crème eggs I bought (there’s still like four left, oh dear) when I’ve nothing else to eat. Gotta go clean and lay off the crème. Maybe the sugar high is making me silly. But I’m not solely responsible for the chocolate eggs disappearing. At first the cleaner was blamed, but I pointed out that, despite my overtures at friendly (I’m always working back late at festive times with leftover chocolate) the cleaner keeps behaving like I’m trying to poison her.

‘Well, that’s stupid’, dismisses my colleague. ‘Who’d clean up the mess?’

Man, I’m gonna miss it when we rotate again and the straights are back.

Maybe I’m just being silly because it’s been a hard month, you know, double family tragedy (on top of the anniversary of another), the house falling apart around my ears (though I got the new very silly curtains up and I like them and not seeing the neighbours is very soothing), not seeing Jude Law live on stage in London (I had a ticket) and dealing with yet another restructure and crazy deadlines, half-baked jobs and having high profile projects taken away from me. You know, stuff.

So, anyways, we were talking Hiddles because Night Manager is finally screening out here, and I’d gone and seen the big monkey fillum last week.

I don’t know, I have a childish thing for big monkey films that I’ve not quite grown out of, and besides, I remember the withering judgement that greeted my choice of seeing Godzilla vs King Kong on the big screen once in my yoof, but what film are they remaking now, huh? Not your black and white arty farty films, no sir. No, we’ve got Shakespearian actor, Eton educated young Hiddles running about slicing and dicing pterodactyls in a King Kong movie. Ah, this is where a fancy education will get ya. If he shows up being all broody and serious and I coulda so been 007 in G v K 2.0, my life will be complete, or, at the very least, I’ll be ticking off a very silly box I never thought would ever be ticked. Heh.

As for the film, the whole South east Asian War Film Heart of Darkness aesthetic was very, very silly, and it got a bit Land of the Lost there for a while, and I would have preferred rampaging Skeleton Men (Danger Island) to the noble natives thang (but I guess not) and I was horribly cheated on the promised big spiders and I have a better, wilder, far more dangerous jungle past the Hills Hoist (weeding eludes me) than the Capability Brown park-scapes they strolled through, but yeah, it was an ok popcorn film.

Anything it might have had to say on war, the environment, politics, or anything, really, was flimsy at best, and lost under the wash of the monster mash. I think maybe there was a version that might have said something, at some time, but not anymore. Clearly the test audience of man-babies wanted more monkey eating octopus, less ruminations on geopolitics or the follies of getting involved in land wars in Asia (<- Princess Bride reference).

As for my own jungle, yeah, well. It was perfect weather on the weekend and despite a cracking headache I made it as far as the back door, where I found an enormous (and deadly) red back spider jealously in possession of my left wellie. If I was looking for an excuse, and I was, that was as good as any. Besides, I worked myself into throwing up the weekend before, and the green bin was full. What I really need is a flame thrower, and Tom Hiddleston on standby, armed with sword.

I went out to an actual screening of Doctor Who. I wasn’t going to, but come the long weekend and the cable and internet went out, as it must, and they said it’d be out until late Sunday night at best so no telly and no streaming so screening it was. Of course, the cable and interwebs came back on by Saturday night but I’d already bought the tickets by then, and it wasn’t a bad day out, though hella crowded as everyone in Sydney had woken up with one thought in their head: go to Circular Quay. Yikes.

Had burgers, strolled, or rather scrambled, through the markets. Sampled the malbec at the Dendy. Shrug.

Just so you know, I’ve been sampling malbecs across Sydney, and the best is at Event cinemas in George St. No, really, and their rose is the best, too. Second is the Opera Bar (ditto with their rose). Next is Toni and Guy in Park St (yes, really). Then it’s the Dendy entry (somewhat stale and disappointing) and, at a distant fifth, the Bar at the End of the Wharf, Hickson Rd (but the view, oh the view). Riverside doesn’t even do malbec, and their reds are always sticky and warm and give me migraines. All in the name of art, you understand, my user testing.

So, Doctor Who. Shrug. It was a rehash of much I’ve seen before (but that’s what I get for being a lifelong fan). I didn’t mind it, but I didn’t emerge from the screening thrilled, moved or in any way affected by it. Sigh.

Didn’t even try the wine at the Belvoir. Went straight for a beer (oh dear, not that brand) to wash down the veggie roll (all they offer) as a pre-show snack (and my sole sustenance for the day) before I went to see the return of The Dog/The Cat.

I adored this the last time I saw it in the Downstairs. This was Upstairs and last time I thought the dog part was far, far funnier, but this time the cat part was funnier, if sillier (this is where the rapping cat from my tweet comes in). The crack about Battlestar Galactica still has me in stitches, though. Ditto the cat’s expression, me.

Xavier Samuel has really honed and owned his cat (last time the joke seemed to be more that he was in the cat suit, this time he lived it) but I still like his Ben in the first act, endlessly pulling tinnies out of nowhere (again, way funnier in the smaller space, because they really appeared out of nowhere).

Benedict Hardie’s roles seem to have been beefed up, or maybe that was my perception. He does arrogant city douche rather too well, but that was funny, too, in a brittle American humour look how awful and unaware he is kind of way

It’d actually be ideal for a small American stage, despite how Oz the dog act (ahem) is, because the second act, with the cat, is very American in its sensibilities and style.

Anyway, I still love it, it’s still laugh out loud cringe at the too familiar funny.

Surreal and still screamingly funny was the Popular Mechanicals over at the STC. Originally a Belvoir production (and it still had Belvoir stamped all over it), one could try and claim that it’s like Stoppard in that it shifts the focus to some minor Shakespeare players, in this case, the mechanicals from Midsummer, but, really, it’s a direct descendant of an Aunty Jack sketch, complete with blustery fart jokes.

There are many theatre jokes, as our amateur thespians scramble to replace their leading man at the last minute (Bottom being famously indisposed), including a boozy old ham who could stand in for any old theatre luvvie you care to think of.

But, really, for all the prefect comic timing, perfect costumes and large performances, the pièce de résistance was the rubber chicken Busby Berkeley sequence, which had me doubled over with laughter it was so absurd and so perfectly staged.

Go for the jokes, stay for the rubber chickens.

I loved that, I really loved it. And I needed silly and it was very silly. Seeing such Oz humour was rather bittersweet, too, as it was the day John Clarke died (yes, I know he was a Kiwi but has anyone been such a part of Australian life?).

Okay, so here comes the Pine update. Much like the crème eggs, I was trying to go clean. Much like the crème eggs, I failed.

It all started last week, when in the middle of doing eight, yes, eight, really super urgent high level jobs my pals in another time zone started beeping me about a Pine sighting in Angie Tribeca. I was thrilled to hear it, but it was a bit of a tangle tracking down Angie Tribeca (Stan has it) and juggling everything else (literally, dropping my phone several times as I was typing as well) and I think I accidentally posted about Pine on my Twitter feed instead of DM-ing my mates, but that’s life with me, all thumbs.

So I duly streamed the Angie Tribeca episode my caring and sharing friends had alerted me to. I’d never seen the show before, or heard of it, tucked away on Stan as it is (a local streaming service, but my fave, more Goulds Bookshop in choices, which is my aesthetic, than Netflix which is like Blockbuster way too much in library or lack thereof).

It’s an odd show, and exactly the sort of show I would have loved in my teens (in fact I pretty much wrote something like it verbatim in my teens, the same notebook that has the modern version of Holmes, oy, such a notebook, I was on fire, but dismissed, and other people get to make these shows instead). So maybe it was just the huh factor, or maybe I’d made myself grow up and try to like more sophisticated fare (as if, rubber chickens, big monkey), or maybe it was 1.30am in the morning, but it was a bit too hard edged silly, but it was only my first go, and Pine was doing whatever the hell he was doing, but you know, whatever, right? He said he had fun, and that’s the main thing.

Frankly, I was disappointed they killed off Timothy Omundson, because I adore him (forever high-scoring because of Galavant). But hey, at least I saw it, and ogled the Pine and only hours after the US screening, oh such times as these. Shortly afterwards it was red lights all round as a router up the road went out (so the recorded message said).

Other Pine included People Like Us, which he’s kind of adorable in (and I could watch on the digital bunny ears, being screened at midnight on a local channel – I was up and unwell) and I sort of worked through a repeat of Finest Hours (cable and internet back on by then, so I was catching up). I’ve seen that enough to know when to look up. He’s so sweet in that. Ah, I miss young puppy-ish Pine.

Also finally finished S1 of Preacher (also streaming on Stan). Forever disappointed I couldn’t get a ticket to see Dominic Cooper in Phèdre when I was in London, or the NT Live screening later (and grouching again over missing Jude Law live on stage), but never mind, he lurks in my DVD collection and now he’s playing Jesse Custer, of all the characters on my bookshelf, and doing a damn fine job of it. I think they caught the essential essence of Preacher, with its 90s dry, dark, gross-out humour, just perfectly fine (although much like Angie Tribeca, I’m not quite there anymore, but I did appreciate it).

To be honest, to see such a faithful adaptation of a beloved book is such a rare and beautiful thing, it was fun just to savour the authenticity and the sure touch of folks who knew what they were doing. It was Preacher. In this age of re-imagined reboots, that’s pretty darn fucking amazing.

And I don’t know why I found some stuff confronting, considering what I submit to in the theatre (fake vomit, rubber chickens, Xavier in that cat suit). I must be getting old, or something. Or maybe watching on my phone is an even more intimate space than front row at the Belvoir. Whatever. They did Preacher. They pulled it off. Yay.

Yes, I know this post is all about actors. Well, trying to see them in the theatre, or at cons, is my version of twitching, only with luvvies (which is why I fume when I have to stay back at work, like punishment, when a rare and elusive blue-eyed bird has alighted only two blocks away – arrrgh).

Meanwhile, I’m wearing a very loud dress today, mainly because I’m acting out (no Jude Law in London), possibly because I was watching stuff from the 60s last night (it screams ‘68, much like that outfit we saw in the markets that was wearing 1984 on its rolled up red vinyl sleeve).

At least I haven’t covered it in tea, so far, like yesterday: perfume allergies, aspirated tea, favourite top ruined. I had to run across to the shops and try and find something that was both cheap and close to my size (it’s all skinny little girls down this end of town, and that ain’t me). I found one jumper, and at first I didn’t like it, but because it was smaller than I usually wear it clung in all the right places, and it has these weird ridiculous 17thC Dutch collars, but I’ve kind of fallen in love with them, too.

Maybe that’s why I’m dressed like a fruit salad today, because I was all Puritan black and white collars yesterday. Puritan, me, ha! Now that’s just silly.

Items of note: https://plus.google.com/u/0/113197665355692280218/posts (warning: may contain Pine)


mockturle06: (Sherlock)

This week everyone has been so kind, surprisingly so. Indulgent, even. So I refuse to be a brat and ask why no-one was this supportive ten or twenty years ago when I needed this kindness more, and just accept and wallow in the kindness I have now, and thank my lucky stars I’m surrounded by much nicer and kinder people these days.

So something has gone right for me. I think I made the right choice turning down that job I accidentally got. They even offered me more money, but it wasn’t that much more (like only the price of a decent sandwich, I’m not that hot), and I think, right now, sticking where I can, for as long as I can, surrounded by people being as good as they can be (we all have off days), is the right choice for me.

So, as you might expect, it’s all been comfort food (and I can’t tell you how disturbing the diet has been, but yum) and comfort telly.

Doctor Who has been my go-to for troubling times since I was three or four years old. For some long-forgotten and astonishingly disturbing reason I decided at a very young age that this fictional mad bastard in a box was a comforting, reassuring and protective presence. Even weirder, I still find the Doctor a comforting presence, and I don’t know whether it’s just familiarity or habit, or the result of too many nights as a tiny child scared of the dark praying that the Doctor would save me. Whatever, entirely silly and unsound, but there it is, the Doctor is my touchstone, my safe place, and, dammit, it works.

I mean it. I’ve had some long dark nights, and every time, if I can find the Doctor on telly (or somewhere), he makes the shadows go away, just for a bit. That’s real magic, that is. I know it’s not real, but I’ll take the placebo, thanks. Watching Doctor Who makes me feel better, for a bit, and that’s enough.

Maybe that’s why the Doctor is so special, because so many of us remember being a child, and afraid of the dark, and those tiny whispers, hoping to be brave in the face of monsters.

And man, there have been some monsters this week. The kind that can’t be banished but just have to be lived with. Any respite is welcome.

Cute enough, one episode was the Robin Hood one, so I had two heroes for the price of one. Double my champions.

And of course Foxtel screened Star Trek again, and who was I to say no. I wasn’t going to, but I did, and my innocent wee babies (as they were when they made that) made me happy, for a bit.

I didn’t think Chris Pine could be a comforting presence any more, but he was. Not that I don’t love that peculiar boy and his own particular brand of peculiarity. Oh no, don’t take the lack of posts as a sign of that, it’s just that the posts that used to drop into my feed like rain have all dried up, so there’s nowt to share.

Perhaps he’s been a little too peculiar for some. I’m all art for art’s sake, but perhaps a modicum of sense or sensibility is required when one’s pay cheque is determined by the number of likes. I mean, go nuts, young man, but we don’t want to end up like Shia LeBeouf now, do we? Don’t be Shia LeBeouf.

If he’s kicking against the roles he’s being offered lately, then either don’t take ‘em or make your own, be your own art project if you must, have fun, but don’t go too far. I mean, it’s all fun and games until somebody gets hurt (that’s my only worry, and, you know, I worry).

That said, I have a sticky soft spot for that crazy boy and his shenanigans. I mean, you can go too far the other way, and lose out because you’re too slick and smug and manufactured, ain’t that right, Tom Hiddleston? So don’t be Tom Hiddleston, either.

Nobody wants to be Tom Hiddleston (and damn, because that beautiful boy I saw in Othello was so damn sweet and full of promise).

So go your own way, my dear, it’s amusing to watch from a distance, just don’t get lost, okay?

Whatever, what would I know, stuck in a crumbling life, with crumbling dreams. But hey, like my tag line says, if you can’t be a good example, be a horrible warning.

And I just don’t know why I like the Pine so much, but with my penchant for the Doctor, and Sherlock and the like, maybe I just like the floridly eccentric. Maybe, oh nos, I like people like me. The freaks, geeks and losers.

Because, and I’m being honest here, nothing scares me more than normal, boring people. People like my local rellies (not my nutty northern ones). People who only talk about painting their back deck. People who won’t eat things for a dare. Who won’t be with people who don’t share their rigid beliefs or hold to their strict codes of behaviour. Those people terrify me. And, I think one can say this these days, they’re everything that’s wrong with the world.

Nah, give me the weirdos any day. Even if they break my heart. Because what’s life without cuts and bruises along the way? You can’t make wine without smashing grapes (I know it’s supposed to be eggs/omelettes, but I could really use a drink right now). It’s been that sort of a week.

Meanwhile, I’m going to have to take up walking every lunchtime from next week if I keep up with the comfort food (oy) but I figure (what figure?) now is not the week to let my sugar levels drop. Maybe I could take my camera. I haven’t done that in ages (usually it’s wall-to-wall midday meetings).

I wonder if the war memorial is open – it’s been closed since 2015 and the reflection pool dug up. I know, WTF, right? I wanted to see Rayner Hoff’s Sacrifice again, because it was referenced, and it made me want to see it again. It’s a beautiful, heartbreaking, highly charged sculpture, and I’m not just talking all the cultural, social and historical meanings piled upon it. If you see it, you’ll know what I’m talking about, maybe. Doomed youth, is there anything more romantic or tragic?

You’d think I wouldn’t talk that way after this week, horrid week, but nothing stops me being overly gothic in my fancies. If anything, it makes them worse. Shameful, but there it is. I am what I am.

I did say freak/geek/loser, right? With an unhealthy obsession with Chris Pine. And an innumerable number of Tardises (WTF is the plural) hiding in her bedroom (including a tiny one pictured on a teapot).

News of the world: https://plus.google.com/u/0/113197665355692280218/posts

mockturle06: (Chris)

This morning I tripped and fell in the utter blackness right into the lavender bush. I always looked like I’ve been dragged through brambles backwards, but at least today I smell nice.

Sunday was spent, on the one day this month it didn’t rain for an 8 hour period, desperately processing loads and loads and loads of washing. I couldn’t get the bloodstains out of my Spandau Ballet t-shirt, which is sad, because I both own a Spandau Ballet t-shirt (but they’re great live) and I bled all over it, and stained it forever (well, I could probably try soaking it in a bucket but there wasn’t time). I bled because the other week I was having such a bad period and I was in so much pain I gave myself second-degree burns with my dangerous hot water bottle and never even noticed it on top of everything else, so my whole back has been a bloody pus-filled mess ever since. Yay. I’ve just about run out of black shirts to wear to work (not goth, just bleeding, which I suppose is pretty goth).

Anyways, when not washing I was watching the Chris Pine double feature on Foxtel. Because. It was Star Trek anyway, which is my happy place. I don’t know why because that film has plot holes that could suck down an entire galaxy, never mind a planet, but there it is. But it makes me happy watching the wee space twink (as he was), so I don’t care what you think.

The other was the regrettable This Means War starring noted children’s television entertainer, Tom Hardy. Well, he dropped another bedtime story this weekend, didn’t he, and some pics of him filming Peaky Blinders, and looking just stunning with his pal Cillian, and bless Peaky Blinders for their complete lack of pointless retooling, at least from the photos I saw.

I could have watched it all on DVD, but I’m too lazy, and it was there, like an excuse to view, right then, bugger doing anything more worthy or important.

Ah, don’t mock my DVDs. We have no decent broadband, so I have my DVDs. Our local streaming companies are very limited library-wise, so I have my DVDs. When they remove films I like, I have my DVDs. When they delete files from my library, even though I paid for them, I have my DVDs. Don’t mock the DVD.

Besides. I remain amused by my stack-o-Pine, that is rather like the pile of Fassbender I used to have circa 2005 when he was doing all those TV series I loved him in that he pretends he was never in these days. The spines of my DVDs show a rake’s progress of young Pine.

I worry about him these days. In the last six months I’ve seen like 27 different personalities, all with their own haircut and wardrobe, like that McAvoy film, and only one of which I’ve been able to link to a film role. I do hope the rest are related to our boy being suddenly all method and indulging in some performance, rehearsal, performance art project or whatever I don’t know about, because otherwise I worry.

The only other people I’ve ever known to try out a different personality every other week are all dead now. So I worry. And I hope it’s just performance. And because I can’t sit the boy down with a cup of tea and a Tim Tam and ask him if he’s ok, I hope his friends will. Because, seriously, none of the other actors I like are like this, even the terribly arty British ones. I mean, sure, they change for roles and the odd OTT fashion mag shoot (like Ewan shaving his hair for Fargo), but they snap back to their normal selves in-between times. I haven’t seen Pine look like himself since, well, since before Anton died (see the first Beyond press appearances, compared to everything that has come after). And that worries me.

So I hope it’s all performance, because otherwise, you won’t hear the crash, it’ll just be silence.

But hey, I’m just reading it totally wrong and being way, way oversensitive, because, you know, I lost a lot of people I loved, back in the day (because I was young, ignorant and careless). But I worry. Because it’s a different personality every other week. I do hope there’s a crap art performance reason for it. Somebody tell me he’s fine, he’s happy and it’s all just his art. I’m sure it is (and I’m just the one being melodramatic). It’ll all make perfect sense in the end. I’m sure of it. I hope for it.

Maybe I’m just tired. Last week broke me. The house is falling apart around my ears and a month of rain has not helped – huge puddles everywhere inside, running down the walls, dripping from the curling ceiling. Would that I’d been paid my 300+ hours of unpaid overtime, but it went unpaid, so no money for fixes. I have to fix the front door now because it got stuck and instead of leaving it like a normal person and exiting through the other door, Himself put his foot through it in a temper, so now I have to pay for a new door, too, somehow.

Good thing I’d already given up on seeing Jude Law on stage in London (I had a ticket). Besides, my Aunt’s just had a serious stroke so I wouldn’t be welcome as an added distraction anyway (I sent two care packages, and, oh man, they don’t make it easy for you to post stuff these days, that also broke me).

Oh, and work, aside from the joy of doing nine versions of an interactive accessible form and the client decided to stick with their 90s PDF instead, and that’s just one job that went nowhere last week, I have to reapply for my job and my boss hates me so we know in this round of musical chairs once again they’ll keep the pretty thin girls who do nothing all day and get rid of the tubby bad diet, bad sleeping 300+ hours of unpaid OT grumpy old cow, and does anyone ever think I might be grumpy because of the 300+ of unpaid OT and the impact it has on my sleep and mealtimes, working 6am to 11pm, with no breaks or meals, just to make ridiculous and arbitrary deadlines that the pretty girls won’t do and don’t have to, because they’re pretty? So there’s that.

Which is a pity because I really believe in the work that we’re trying to do. I really believe in trying to make information accessible (which is why the client clinging to their 90s PDF is so maddening). I mean, I watched The Green Death when I was a wee thing, and now I’m working in an environmental portfolio. But you know, with the politics these days, it’s not a good place to be. So there’s that, too.

The only bright spot in this bleakest of months (rain, nonstop), has been, of all things, a Disney Prince, in the form of Dan Stevens. If I wasn’t enjoying Legion so much (I adore the Prisoner/Avengers/Jason King/UFO aesthetic), it’d just be Beauty and the Beast, which was fine. I’d not seen the cartoon, but any opportunity to see my Brit boys get their screaming panto on.

And when I saw it at the State, that frou-frou of a palace, at the non-premier, with the bubbly and the dancers dressed as candelabra and being given a rose and a goody bag, and having the crowd so into it they all whooped and cheered and sang along and it was really great, seeing that way. I really loved them for roaring with approval when Le Fou got his man at the end. That was nice (and why all the controversy, has Beauty and the Beast ever not had a queer reading?). And Dan was still Dan under the CGI, and Ewan gave me my money’s worth, so it wasn’t a waste of time. And it made me forget my troubles while the screen flickered, and that’s all I can ask of these magical creatures we call actors.

I did manage to get through Saturday, which involved another Aunt (it’s all a bit Wooster, as if things weren’t topsy turvy enough) and her big birthday party with the rellos I never ever see (because they think I’m gay) and it was in a religious retirement home and they’re all hard-core god-botherers and they drink Coopers beer without shame (both are pro-religion, anti-equality) and yet they were all off to see Beauty and the Beast (written by gays, performed by gays).

Sucking up that amount of hypocrisy does bad things to my liver, I can tell you. Or maybe it was the prawns. Or the cheese. Whatever, it was more of something to be endured than enjoyed. There was a mighty fine bottle of Di Bortoli Yarra valley merlot that I demolished, so I’m pretty sure I’m free from invites for the next decade. Mission accomplished.

Haven’t been to the theatre much, but I saw a rather disappointing screening of the RSC’s The Tempest. I was so looking forward to my favourite Simon Russell Beale as Prospero, but he seemed to just phone it in that day. Maybe it was the cameras, or the real-time digital effects, or it was a wet weekend and I wasn’t feeling fab. Either way, shrug.

Much better, and far more effecting, was the screening of the Donmar’s production of George Bernard Shaw’s Saint Joan, with a revelatory Gemma Arterton in the lead (I never knew she could do that).

I care nothing for religion, and this play had a fair bit to say on the matter, as you might imagine, but the gender issues, the whole woman versus the established patriarchy, the power games between the rich, the entitled, the powerful and those who set themselves up as gate-keepers (and how these things are often opposing forces rather than interchangeable titles), well, that was all entirely relevant and current and electric (and they didn’t even need the conceit of the fake Newsnight broadcasts to hammer than one home).

Had I seen it last year, before all the shit hit the fan, it would have merely been good. Now, with all that is going on in the world – and how fucking depressing that a play about medieval persecution is so now – it was one wild ride. I hope you saw it. Weeks later, I’m still thinking about, often. It got under my skin, because it was so on point, and so visceral. That’s proper theatre: timely, thought-provoking, commenting on the real world and gut-wrenching. Even just watching the screening, the punches landed.

The only other thing that have given me joy recently is Preacher. It is taking me forever and a day to get through this (limited bandwidth plus a month of wet weekends, and every man and his dog hogging my .0004kps connection, does not make for streaming fun).

My main lark is that, however many liberties they may take with the source material, for better or worse (and I really dug the comic in my misspent yoof), Cassidy is still Cassidy. I always knew Cassidy was the sort of character who wouldn’t stand for any actor trying to bring his interpretation to the screen. No, Cassidy is having none of that shite. He is what he is and that’s an end to it

From the photos Dominic posts from set, Joe Gilgun seems to be either the most method actor ever (take note, Pine) or they simply managed to employ an actor who is Cassidy, 24/7. It amuses me greatly. Because I have long adored Cassidy. He’s scruffy, a vampire and, well, Irish, and I always think it’s the being Irish that gets him in trouble far more than being a vampire, which amuses me further still.

So I’m loving that, what I’ve seen of it (though it gave me a moment of difficulty to press pause mid flailing entrails and answer a call from a prospective employer, because I was watching it on my phone at the time, because at least I can use 3G to fill in the wifi lags, at great expense).

Hey, the mashed spud brain still knows all the lyrics to The Models I Hear Motion. They were playing it in Coles while I shopped in the wee hours.

I’m impressed, because there’s precious little I remember these days. A few flashes of Yeti and Cybermen from Doctor Who. Admiring my stack of Fassbender DVDs like Smaug and his pile of gold. Posting on a Life on Mars board once. Watching a dumb film while flying across the orange part of Oz. Don’t remember a second of the holiday I was coming back from, but I remember that. What film? Please don’t ask. Who was in it? Who do you think?

So, buried somewhere my Models discography is still intact. Yay?

Mind you, last week Coles were playing Bucks Fizz. I figured if I throttled any deserving arseholes that day I could cite mitigating circumstances, having been unduly provoked. Because Bucks Fizz.

And finally, the word of today is: amplexus (when two frogs like each other very much…)

News from the front: https://plus.google.com/u/0/113197665355692280218

mockturle06: (Dean sad)
It was supposed to be one of my all time highlights, ever, and even though I didn't have the golden ticket, I certainly had a brass one. But alas, it crash landed in one of those weeks where nothing went right.

Job under threat again, the possum punching holes in the walls and no possum catcher available for at least a week, ongoing flu, Lauren Bacall dying and the terrible suicide of Robin Williams, not only beloved bullwark of childhood, but also kicking over stones that should never ever be kicked over.

So instead of gleefully skipping hand in hand to the State Theatre to see Peter Capaldi and Jenna Coleman, for reals, presenting a preview of Peter's first proper Doctor Who episode as the Doctor, as part of the BBC world tour, and I actually had tickets, so hard to get, and the PC had crashed right went they went on sale and it was all so fraught and I still got those tickets and I'd been so looking forward to it, but no. No skipping. Just a funeral slog through the driving rain on one of the coldest, darkest days ever.

Sigh. Okay, I'm under a Mousetrap like compact not to spoil, so I wan't say anything except to say that I really, really enjoyed it (aside from the loud and obnoxious chap behind us, with the world's noisiest chip packet that went on forever).
more: nerd alone )
mockturle06: (mr flibble)
Angry possums can move really fast. I had the territorial Ms Possum growling and hissing at me through the crawl space in the bathroom, and I told her to rack off. Later, still pitch black, I went out to fill the seed tray for the forever annoyed at me parrots when a very large and growling possum raced across the yard, up the macadamia tree, shaking it like a thing possed, leaping from that to the shed to the house to lean over the gutter and snarl at me, before flicking her furry tail and scuttling off over the laundry.

So, nobody's ever been killed by a possum, right? She really does not like me, especially this week. Been home with the wotsits for a couple of days, real bad, and she's been snarling at me through the bookcase, even when I didn't have the tv on. Does not like me at all (adores Himself though, the coquette).
warning: contains dairy products and traces of nuts )
mockturle06: (Avengers)
Ripper Street is one of those shows that frequently feature real people, and real people who have only just passed from living memory (that is, not like the War of the Roses, which is as now as much myth as documentary and archaelogical evidence, though they've made some great and surprising strides of late). Usually, stuff like that is cute and gimmicky, like on Murdoch Mysteries, usually featuring people who've been fictionalised before, but still, where is the cut off point between real people and real lives and fiction? A hundred years? Less?

Because while the Titanic and WWI pass into myth, they were making absolutely nothing to do with reality American films about WWII, pretty much before those Yanks even got into the war, and, well, I'll spare you the usual rant about American forces claiming Australian battles as their own, ditto the Brits claiming Oz victories and the Yanks claiming Brit battles, and so on and so forth. But the point is, turning recent history into fanciful myths is nothing new. Some might even call it propaganda or merchandising.

So where do you draw the line? And are the famous and infamous fair game, while the little people are incidental to anything going on anyway (chances of them featuring that guy in the same class as Doyle, or that guy firing one of the first shots at Gettysburg, have, so far, been slim to none, even in Abraham Lincoln: Vampire Slayer).

Do people care? Do relatives care? Does the Doyle estate bother about Doyle turning up in Murdoch Mysteries? Do Winston Churchill's descendants care that he apparently greenlit Daleks for the war effort? What's tongue in cheek, and what's completely tasteless? What's too soon?
more: hey babe, take a walk on the wild side )
mockturle06: (Sherlock)
As I said, if I need a reason to smile today, and I will, I can think of last night's Boardwalk Empire. I'd had a frankly dreadful day and was in the mood for a bit of orchestrated violence, and, well, Boardwalk delivers. There were some darkly comic moments, all concerning that merry band the Capones, but I did giggle and smirk. It was cathartic.

Today I'm in dazzle camouflage, because the mousey blacks and browns weren't working as far as deterring threats go (and there were/are threats), so I figured be loud, be a bigger target. Not sure it'll work, but man, this dress is crazy when you stand in sunlight. Heh.

It was either that or stay in bed, and that was option 1 to a gazillion, but I did get out of bed. Don't know why, I'm sure to cop it again today. I'm rather tired of people being horrid.

So, plays? Yes, sort of. Despite the ruination of my weekend I did slip out to see a screening of The Globe's Twelth Night again, because it's too funny (and having begged them to screen close by, I feel morally obliged). It was partially ruined by two idiots who staggered in late, climbed over just about everyone to get some seats, then talked loudly to each other, you know, all 'who's that' and 'why is he doing that' and everyone else is grinding their teeth and wishing they'd shut the fuck up for five seconds and maybe they'd catch a bit of plot, but no.

We thought maybe they'd just come for Stephen Fry, but no, they talked through all of his bits, too.
more: who da man? )
mockturle06: (Sherlock)
I can barely see, but I'm wishing I could unsee this. Oh dear. Quite happy to be the costume department's bitch, my dear boy, unless that's his own personal choice, in which case, oh dearie me.

Just the allergies playing up something chronic, re the not seeing, puffed up and sore. The mozzies outside went from billions to one so I know they sprayed, hence me flailing about in misery and mystery rashes from here on, but it's my lot in life. As is everything else. The less said about events on the weekend the better, and not even cocooning myself in the bunker with a Newsroom dvd was going to help dispel the reality of it. This is going to be so not good.

Actually, the whole allergy thing isn't very funny either. I was so blind trying to cross six lanes this morning it was exactly like that scene from Gattaca. No funny. Only just starting to not hurt. On top of this I have to gird my loins to once more unto the breach to make everyone else look good so they get to live in the big houses. Some jaw grinding going on here. Tis my lot, but, still.

I heard some reviews of Whitechapel (today's trope) that ranged from just bad to so bad it's good. Hopefully it resides in the latter category, because I'm fine with that.
more: in which I decide there's a time and a place for robot monsters )
mockturle06: (Lewis)
Such a cosy gathering at Chez Munroe in Grimm last Sunday, the gang all together, happy days. Except Juliet rattling around alone in the big empty house slowly going nuts. Can you say entirely surplus to requirements? Good thing, too. No tv show ever needs a whining girlfriend.

It's about time they got rid of her, anyways, as Nick is starting to enjoy it way too much (I saw that smile). There's always a paying of the piper in tv shows. Get rid of her, give Nick some new reasons to feel all guilty and angsty, hit your tropes, move on. Not original, I know, but she just does not fit in with Nick's wee Scooby Gang. TV time is limited, give her the flick, I say.

Nothing worse than having valuable screentime gobbled up by characters I cannot stand in shows I like. If you wanna do a buddy cop show, do a buddy cop show, ferkrissakes, and stop dilly dallying with pointless, story slowing domesticity. If I want domesticity, I'll watch Munro in the kitchen, thank you very much.

Okay, rant over. And I'm not even going to mention the maggots. Ick.
the joy of cowboys )
mockturle06: (mr flibble)
The other night, while I sat down to lukewarm tinned soup, Himself was off at a soirée in the celebrated company of no less than Bryan Brown, Gillian Armstrong, Bruce Beresford and Richard Neville, amongst others. Oh, how the other half live.
more: well I never )
mockturle06: (Dean sad)
What have I been up to? Not much. There was the Cary Grant course at Sydney Uni that I thought, as it was being given by Mr David Stratton, would be a critical examination of the man and his motives, but no, it was just sitting there watching clips and the odd film. As I'm a big time fan, it's hard to be churlish, I enjoyed the opportunity to watch Cary Grant films uninterrupted under the cover of academic study, but still. Some discussion would have been nice. I fear the, um, vigourous discourse, in my philosophy classes has perhaps spoiled me a bit, expectations wise.

So that was a touch on the meh side, as if watching North By Northwest could ever be meh. Come on, you know I'm a fan, did you see what I got up to on my last trip (still can't get out to Mt Rushmore, though)?


more: music, with a side of bacon )
mockturle06: (mr flibble)
There was a rosey pink dawn glimmering behind bare white trees, rather like my favourite Sydney Long painting, a seagull decided to walk beside me for a couple of blocks, more companionable than nagging for scraps, and instead of the usual derro with a boombox at the station there was a chap playing something very posh and very well on the violin (I did not recognise the piece, I was not taught music at school, only how to sew curtains, but I think I heard it in a movie once).

Friday was very, very bad, of course, one of the worst ever, but I got up early Saturday morning, while still dark, despite not feeling at all like I wanted to, and went off to my course, which was an examination of The Great Gatsby, which I enjoyed immensely. The discussion was robust, new ideas and interpretations were opened up to me, things I'd missed were illuminated and explained.
more: eggs, eggs, eggs...and dinosaurs )
mockturle06: (Neal)
A long overdue archive of White Collar and related articles (mainly Matt Bomer). This list is for reference only. Slightly fresher links are posted regularly to my page.

WHITE COLLAR



TV Week

11-17 February 2012

Australia
Elle

#295

March 2010

US
Details

January-February 2010

US
Entertainment Weekly

#1195

24 February 2012

US
Entertainment Weekly

#1196

2 March 2012

US
US

#782

8 February 2010

US
 

more: links, scans, Bomer )
mockturle06: (matt)
The spiders took my hat and are wearing and won't give it back. Me, attempting to defoliate the jungle again, which some people call gardening, but I no longer shall, because whenever I say I've no time or money for the gymn but I garden, they snort. I don't think they've any idea of the hard labour that goes into trying to keep the jungle at bay, especially since the birds have pooped massive vines all over the place of late.

I also refuse to use the term arachnophobic, as it is not an irrational fear when two of the deadliest spiders on the planet lurk in abundance in my back yard (and there was no cure when I was a kid, so consider my wariness ingrained to the deepest degree).

Not to mention snakes. I'm pretty sure there are snakes under the house. Brown snakes.
more: snakes, why did it have to be snakes? )
mockturle06: (White Collar kiss)
I spent all weekend in bed with the Leverage gang. I should do that more often. That was fun. Even though the plots did tend to get a touch repetitive when viewed in a block, it's the characters that make it. I love that show. It makes me smile.
more: this guy's in love )

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